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  • Gregers Brinch
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Gregers Brinch

About me

Since 1985, I have composed over 100 works including, concertos, oratorios, an orchestral suite, sonatas, string quartets and Solo-works for various instruments. I write on music theory, give lectures on music phenomena and teach singing, guitar and piano.for more information please look at my website www.gbrinch.com I am Artistic Director of International Concert Series in London hosting 12 chamber music events on an annual basis at Steiner Hall on Park Road. https://www.internationalconcertseries.com

My works for Voice and Instrumental Ensembles in English, German and in my native Danish form a central part of my output.

CDs include:

"Blue Harmony", Piano-works recorded by Diana Baker"Harmonious Dissonance" including String Quartet no. 1 issued by Parma records"The Story of Parzival" for Baritone and Solo-flute with the "Suite for solo flute" with flautist Julie Groves.    "Gregers Brinch vol.1, 2 and 3"  issued on Claudio records - http://www.claudiorecords.com/.

Galerie

Noten

Letztes Update
Andante Moderato for Violin and Piano, Op.135b
Klassische Musik / Romanze
Andante Moderato for Piano, Op.135a
Klassische Musik / Romanze
Beliebteste
  1. Blue Harmony, Op.7
    Klassische Musik / Musikstück
  2. The Prime Octave Polarity
    Klassische Musik / Theorie
  3. Andante Moderato for Violin and Piano, Op.135b
    Klassische Musik / Romanze
  4. Peace Prelude, Op.103
    Klassische Musik / Zeitgenössisch
  5. Dialogue of Minds, Op.72
    Klassische Musik / Zeitgenössisch

Blog

04 Januar 2019, News
The Bingham String Quartet Christmas Concert in London
04.01.2019  International Concert Series  at Steiner Hall in London has hosted a large number of my works over the past 4 years. The most recent was the Bingham String Quartet who played my piece 'Quarter' for string quartet.  The piece ...
11 Januar 2013, Artikel
Time and music
TIME AND MUSIC I once had a piano student who started learning the instrument at the end of his A-level studies. In the space of a year he reached a considerable fluency and capacity for expression on the piano. At the age of 18 the time was right ...